WS LEGACYONE (MUSIC Sub-Publishing )

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singlevissionofushantelakawheresSONJIA

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MISS SHANTEL MAKES A COMEBACK CELEBRITY VH1 DIVA AS SONJIA (SONYA)

SHANTEL HOSBON

AIRS FILM DOWNTOWN NYC THE JEREMYKYLE SHOW 2011 OCTOBER

singlevissionofushantelakawheresSONJIA

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CORPORATE AMERICA PRINCESS

SHANTEL’S HEART
SHANTELHEART
SHANTEL HOBSON
WHO IS STILL MISS RADIO PERSONALITY V103 BRAODCAST MAJOR PLATFORMS
WMSE MILWAUKEE DJ
OWN STATIONS STREAM
RE EMERGING 2015
CORPORATE AMERICA ENTREPRENEUR PHILANTHROPIST DREAMTEAMS UNDERSTUDY FROM THE BEST MINORTY ALLIENCE SYS ORGANIZATION ASSOCIATIONS GLOBAL

SONIA GLIST & GLAM I LIVE FOR BORN FROM BOUGHT EARNED IN MY OWN RIGHTS GRAMMY CELEBRITY AFFILIATE IF MISSING DUE TO STOLEN DOCUMENTS MUSICLED AWAY,ROBBED,RAPED,ABUSED,GANGED FORCED AWAY UNDER LEGAL REVIEW…..?

FROM BMI ASCAP INC SHARE IPI HOLDER INVESTOR MINORITY LEADERSHIP SUPPORT WS HOBSON PUBLISHING CORP MISS SONIA DJ HOST ,JOURNALIST AT MOSE UNIVERSITY @WMSE .ORG THE BLUES DRIVE SONIA S BACK !!!
NEW PHOTOS & STORY OF REAL TRUTH SURVIVAL MODE FROM DEATH SPLAT HIT BY MILWAUKEE HWY TRUCK ,BACK LIFE BACK TO REALITY,(GREAT THEME SONG )
MO’ COMING SOON FROM THE 1 & ONLY SMOOCHESZ…….

shantelcelebrity2

SHANTEL D HOBSON

SONIA ,MISS

Featured Image -- 1571

MISS SONIA _I_AM_REAL_SONIA

MISS SONIA GLIST GLAM CEO HIRED DJS TOOK ON MILTOWN MUSIC AUTHORITY TO ROBBED BEATED DRUGGED STORY REVEALED SONIA HOST STORY UNTOLD LIVE ON WMSE

1leg·a·cy noun \ˈle-gə-sē\
: something (such as property or money) that is received from someone who has died
https://itunes.apple.com/us/album/taste-my-pain-see-my-tears-ep/id681828072
: something that happened in the past or that comes from someone in the past
plural leg·a·cies
http://www.recordsinkorporated.com/
Full Definition of LEGACY

1
: a gift by will especially of money or other personal property : bequest
2
: something transmitted by or received from an ancestor or predecessor or from the past
See legacy defined for English-language learners »
See legacy defined for kids »
Examples of LEGACY

She left us a legacy of a million dollars.
He left his children a legacy of love and respect.
The war left a legacy of pain and suffering.
Her artistic legacy lives on through her children.
Origin of LEGACY

Middle English legacie office of a legate, bequest, from Anglo-French or Medieval Latin; Anglo-French, office of a legate, from Medieval Latin legatia, from Latin legatus
First Known Use: 15th century
Related to LEGACY

Synonyms
bequest, birthright, heritage, inheritance, patrimony
Related Words
heirloom; bestowal, gift, offering, present

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Works Catalog
HOBSONONE LEGACYMUSIC LLC BMI
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Works Catalog

SHANTEL HOBSON

Works Catalog
Works Registration
Direct Deposit
Tax Documents
Royalty Distribution
Distribution
search reports
Questions

HOBSON SHANTEL DENICE 852271
Count: 33
Title Status BMI Work #
10 000 LIVES TOGETHER Registered 7358032
3 DAYS Registered 6785032
3 DAYS AND HE ROSE AGAIN Registered 6785032
AFAR OFF Registered 6785043
ALL I DO IS THINK OF YOU Registered 7215194
AUTUMN LEAVES Registered 7266272
BEST THING EVER Registered 7266270
BLACK SECRETS Registered 6785042
BLACK SECRETS 2 LETTERS Registered 6785042
COUNT Registered 6833303
DOWN LOW LOVING Registered 6831018
DREAM ANTHEM Registered 7266271
HAD STRESS Registered 6785039
HEALING Registered 7347474
HEALING INTRO Registered 7347474
HEAR MY SONG OF THANKS TO YOU LORD Registered 6785034
HIGHWAY Registered 12195312
HOW CAN YOU SAY THAT YOU LOVE ME Registered 6785044
I HAD STRESS Registered 6785039
I MUST BE THE BOMB Registered 6785033
I OWE YOU Registered 6785037
I WANNA Registered 10601616
I WANT YOU Registered 7527797
IRUNTOHIMWHEN Registered 6785041
ITJUSTFEELZGOOD Registered 7266269
ITS THE WAY Registered 10601615
ITZ THA WAY Registered 10601615
LET S DANCE TONIGHT Registered 6785038
LIVES TOGETHER Registered 7358032
NO I CAN T FORGET Registered 8251763
NO I CAN T FORGET PART ONE Registered 8251763
NO I CAN T FORGET PT 1 Registered 8251763
NOW I HAVE Registered 6785031
OWE YOU Registered 6785037
QUIET STORM Registered 8251764
SO MUCH MORE Registered 6648028
TEAR Registered 6785036
TEARS Registered 6785036
THINGS YOU DO TO ME Registered 10601616
THINGZ YOU DO 2 ME Registered 10601616
THIS IS MY DREAM Registered 7358029
THREE DAYS Registered 6785032
TODAY IS MY DAY Registered 7358031
TOGETHER 10 000 LIFETIMES Registered 7266273
TOGETHER 10 000 TIMES Registered 7266273
VINDICATE ME Registered 6785040
VINDICATE ME O GOD Registered 6785040
WAY Registered 10601615
WHOO GO AHEAD Registered 6785035
imagesMODERNLOGOBMI

NEWLY REGISTERED 4/18/2013.COPYRIGHT HOLDER.HOBSON COLLECTION ETC WORKS,CREATED MUSIC,ETC REGISTERED WORKS OF BMI;HOBSONONE LEGACYMUSIC COPYRIGHT HOLDER GOV GRANTED 1997-2013.

MISS SONIA RECORDING ARTIST ,MUSIC MOGEL UNIVERSAL ONE HIT WONDER KILLED ON SIDE OF MILWAUKEE AKA MILTOWN ROAD…WHAT EVER HAPPENED TO SONIA, SONGS AND STORY DOCUMENTARY REVEALED SOON …STAY TUNED INTERNATIONAL INTERVIEW

BMI ORIGINAL LYRICS MELONDY MUSIC OR ADOPTED
ITSTHEWAY Submitted 4/18/2013 Copy
ITZ THA WAY Submitted 4/18/2013 Copy
LIL GET BACK Submitted 4/18/2013 Copy
POWER OF LOVE Submitted 4/18/2013 Copy
RAINY NIGHTS Submitted 4/18/2013 Copy
SORRY SORROW Submitted 4/18/2013 Copy
SPEAK SO Submitted 4/18/2013 Copy
SYMPHONY PLAYS Submitted 4/18/2013 Copy
VISION OF YOU Submitted 4/18/2013 Copy
WOULD IT BE WORTH IT
Note: Registration was submitted as a public domain work, do not submit a new original work as a public domain arrangement. Rejected 9/11/2012 Edit Delete
Select Work Title Status Edit Delete Copy
GET BACK Ready for Submission Edit Delete Copy
GET BACK Ready for Submission Edit Delete Copy
ITSTHEWAY Submitted 4/18/2013 Copy
ITZ THA WAY Ready for Submission Edit Delete Copy
ITZ THA WAY Submitted 4/18/2013 Copy
LIL GET BACK Submitted 4/18/2013 Copy
POWER OF LOVE Submitted 4/18/2013 Copy
PWR UF LUV Ready for Submission Edit Delete Copy
RAINING NIGHTS Ready for Submission Edit Delete Copy
RAINY NIGHTS Submitted 4/18/2013 Copy
SO SPEAK NOW Ready for Submission Edit Delete Copy
SORRY SORROW Submitted 4/18/2013 Copy
SORY SORW Ready for Submission Edit Delete Copy
SPEAK SO Submitted 4/18/2013 Copy
SYMPHONY PLAYS Submitted 4/18/2013 Copy
THIS IS MY DREAM ANTHEM Ready for Submission Edit Delete Copy
VISION OF YOU Submitted 4/18/2013 Copy
VIZNOFU Ready for Submission Edit Delete Copy
WOULD IT BE WORTH IT Submitted 4/18/2013 Copy
STARTNG OVER/STARTNG OVEA
BOGUSLUV/CHURCHLUV
LUVME
WAYUMAKIN ME FEEL/WAY I FEEL

There are 3 Songwriter/Composers BMI (CERITFIED MULTIPLE COMPANIES) (USA)

Name CAE/IPI # Current Affiliation
1. HOBSON SHANTEL BMI
2. HOBSON SHANTEL D BMI
3. HOBSON SHANTEL DENICE BMI

Performance Rights Act

What is the Performance Rights Act?

The Performance Rights Act (H.R. 848 and S. 379) is bipartisan legislation that seeks to correct the fact that the U.S. is the only developed country on the planet that does not recognize the right of performers to be compensated when their music is played on broadcast radio.

Because more than half of the world’s music is American made, countries that recognize a performance right collect and keep hundreds of millions dollars from foreign airplay of U.S. recordings that rightfully belong to American performers. The U.S. is a global leader in producing and exporting music, but American musicians and singers are hurt by the failure of our country to establish a performance right and by aligning the U.S. with countries like China, North Korea, Iran and Rwanda.

The bill will close a loophole in the U.S. Copyright Act ensuring that broadcast radio compensates all artists for playing their music on AM and FM radio stations.

SAG-AFTRA members who have spoken out on Capitol Hill about establishing a performance right on terrestrial radio include will.i.am, Sheryl Crow, George Clinton, Bob Bailey, Dan Navarro, Judy Collins, Lyle Lovett, Alice Peacock, Ray Benson, Sam Moore, Martha Reeves of Martha and the Vandellas, Duke Fakir of the Four Tops, Dionne Warwick, Sheila E. and others. Additionally, thousands of SAG-AFTRA members have contacted their representatives in Congress in support of the Performance Rights Act in response to the activist e-mail alerts sent by the union.

SAG-AFTRA is a proud member of the musicFIRST Coalition, which is a partnership of both artists and organizations in the music community who support compensating performers for their work when it is played over the air. As an early proponent of establishing a performance right in terrestrial radio, SAG-AFTRA continues to champion efforts to assure that all artists, including featured artists, background singers, and session musicians, receive fair pay for air play.

SEE REVERBNATION ITS BEEN GREAT TO ME SINCE IVE RELOCATED FROM TEXAS TO MILWAUKEE WI HOMETOWN

SAMPLE RADIO STATIONS WE SUBMIT TO

And More…….
WMSE MISS SONIA HOST _I_AM _REAL _SONIA
Radio (primary source for exclusive charts of non-commercial (ex: SiriusXM) and college RADIO AIRPLAY)

The first stations we submit to is your local stations that you listen to daily. You may just want your friends and family to here your music.

100 of the biggest market Urban AC radio stations in the US. Includes all the monitored stations and indicators. Urban AC has roots in Soul and Gospel, and plays virtually no Rap and Hip-Hop. Core artists include Alicia Keys, Mary J Blige, Jill Scott, Maxwell, MaryMary.

AMERICAN URBAN RADIO NET New York, New York (United States)
BILLBOARD New York, California (United States)
CBS Radio Corporate (United States)
Citadel Media Texas (United States)
Clear Channel Cincinnati, California (United States)
ERG New York, (United States)
FMQB Cherry Hill, New Jersey (United States)
HITS Hollywood, California (United States)
JMA Chicago, Illinois (United States)
KAJM-FM Scottsdale, Arizona (United States) (KAJM-FM is a commercial station owned by Sierra H Broadcasting, Inc. The format of the station is rhythmic oldies music.) KAJM-FM broadcasts in the Scottsdale, AZ area at 104.3 FM.
KBLX-FM San Francisco, California (United States) (KBLX-FM is a commercial station owned by Inner City Broadcasting. The format of the station is adult contemporary music.) KBLX-FM broadcasts to the San Francisco area at 102.9 FM.
KDKS-FM Shreveport, Louisiana (United States)
KISQ-FM San Francisco, California (United States) (KISQ-FM is a commercial station owned by Clear Channel Communications. The format of the station is R&B oldies music.) KISQ-FM broadcasts to the San Francisco area at 98.1 FM.
KISX-FM Tyler, Texas (United States)
KJLH-FM Inglewood, California (United States) (KJLH-FM is a commercial station owned by Taxi Productions Inc. The format is urban adult contemporary). KJLH-FM broadcasts to the Los Angeles area at 102.3 FM.
KJMG/KRVV
KJMG-FM Monroe, Louisiana (United States)
KJMS-FM Memphis, Tennessee (United States)
KMEZ-FM New Orleans, Louisiana (United States)
KMJK-FM Mission, Kansas (United States) (KMJK-FM is a commercial station owned by Cumulus Media Inc. The format of the station is urban adult contemporary music) KMJK-FM broadcasts to the Kansas City, MO area at 107.3 FM.
KMJM-FM Saint Louis, Missouri (United States) (KMJM-FM is a commercial station owned by Clear Channel Communications. The format of the station is urban adult contemporary music) KMJM-FM broadcasts to the St. Louis area at 104.9 FM.
KMJQ-FM Houston, Texas (United States) (KMJQ-FM is a commercial station owned by Radio One Inc. The format of the station is urban adult contemporary music.) KMJQ-FM broadcasts to the Houston area at 102.1 FM.
KNEK-FM Lafayette, Louisiana (United States)
KOKY-FM Little Rock, Arkansas (United States)
KQXL-FM Baton Rouge, Louisiana (United States)
KRNB-FM Grand Prairie, Texas (United States) (KRNB-FM is a commercial station owned by Service Broadcasting Corp. The format of the station is urban adult contemporary music.) KRNB-FM broadcasts to the Dallas area at 105.7 FM.
KSOC-FM Dallas, Texas (United States) (KSOC-FM is a commercial station owned by Radio One Inc. The format of the station is urban adult contemporary) KSOC-FM broadcasts to the Dallas area at 94.5 FM.
KSSM-FM Temple, Texas (United States)
KSYU-FM Albuquerque, New Mexico (United States)
KVMA-FM Bossier City, Louisiana (United States)
KZWA-FM Lake Charles, Louisiana (United States)
LAWMAN PROMOTION Daly City, Wisconsin (United States)
LIZ MANTALBANO CO Old Bridge, New Jersey (United States)
LYLES URBAN CONSULT Marietta, Georgia (United States)
Mediabase Sherman Oaks, Alberta (Canada)
MixShowBlast.com California (United States)
Music Choice National, New York (United States) (With over 45 Music Channels to choose from, there’s one for every music taste – from today’s hottest music to hits from the past. Our selection of Urban, Pop, Rock, Country, Christian, Kids, Classical and Oldies Channels offer hours of uninterrupted listening, along with fun artist facts. Available in 47 million households across the U.S., the Music Channels reach 44 million monthly viewers.)
NEW WORLD COMMUNICATION Scottsdale, Arizona (United States)
NextMedia Group Greenwood Village, Minnesota (United States)
Nielsen BDS New York, New York (United States)
Promo Only Orlando, Florida (United States)
RAMP (United States)
S051
TOM JOYNER MORNING SHOW Dallas, Texas (United States)
TOUCH National, Texas (United States)
WAGH-FM Columbus, Georgia (United States)
WAKB-FM North Augusta, South Carolina (United States)
WAMJ/WUMJ
WAMJ-FM Atlanta, Georgia (United States) (WAMJ-FM is a commercial station owned by Radio One Inc. The format of the station is urban AC). WAMJ-FM broadcasts to the Atlanta area at 107.5 FM.
WANM-FM Florida (United States)
WBAV-FM Charlotte, North Carolina (United States) (WBAV-FM is a commercial station owned by CBS Radio. The format of the station is urban adult contemporary) WBAV-FM broadcasts to the Charlotte, NC area on 101.9 FM.
WBBK-FM Dothan, Alabama (United States)
WBHK-FM Birmingham, Alabama (United States) WBHK-FM is a commercial station owned by Cox Media Group, Inc. The format of the station is urban adult contemporary. WBHK-FM broadcasts to the Birmingham, AL area at 98.7 FM.
WBLS-FM New York, New York (United States) WBLS-FM is a commercial station owned by Inner City Broadcasting. The format of the station is urban adult contemporary. WBLS-FM broadcasts to the New York area at 107.5 FM.
WCCG-FM Fayetteville, North Carolina (United States) WCCG-FM is a commercial station owned by Carson Communications. The format of the station is urban contemporary. WCCG-FM broadcasts to the Fayetteville, NC area at 104.5 FM.
WCFB-FM Orlando, Florida (United States) WCFB-FM is a commercial station owned by Cox Media Group, Inc. The format of the station is urban adult contemporary. WCFB-FM broadcasts to the Orlando, FL area at 94.5 FM.
WDAS-FM Philadelphia, Pennsylvania (United States) WDAS-FM is a commercial station owned by Clear Channel Communications. The format of the station is urban contemporary and R&B. WDAS-FM broadcasts to the Philadelphia area at 105.3 FM.
WDLT-FM Mobile, Alabama (United States)
WDMK-FM Detroit, Michigan (United States) WDMK-FM is a commercial station owned by Radio One Inc. The format of the station is urban adult contemporary. WDMK-FM broadcasts to the Detroit area at 105.9 FM.
WDZZ-FM Flint, Michigan (United States)
WFLM-FM Port Saint Lucie, Florida (United States) WFLM-FM is a commercial station owned by Midway Broadcasting Corp. The format of the station is urban adult contemporary. WFLM-FM broadcasts to the Port St. Lucie, FL area at 104.7 FM.
WFUN-FM Saint Louis, Missouri (United States) WFUN-FM is a commercial station owned by Radio One Inc. The format of the station is urban adult contemporary music. WFUN-FM broadcasts in the St. Louis area at 95.5 FM.
WFXC-FM Raleigh, North Carolina (United States) WFXC-FM is a commercial station owned by Radio One Inc. The format of the station is urban adult contemporary music. WFXC-FM broadcasts to the Raleigh-Durham, NC area at 107.1 FM.
WGOV-FM Valdosta, Georgia (United States)
WGPR-FM Detroit, Michigan (United States) WGPR-FM is a commercial station owned by WGPR Inc. The format of the station is urban adult contemporary and smooth AC WGPR-FM broadcasts to the Detroit area at 107.5 FM.
WHQT-FM Hollywood, Florida (United States) WHQT-FM is a commercial station owned by Cox Media Group, Inc. The format of the station is urban adult contemporary. WHQT-FM broadcasts to the Hollywood, FL area at 105.1 FM.
WHRP-FM Athens, Alabama (United States)
WHUR-FM Washington, District Of Columbia (United States) (WHUR-FM is a commercial station owned by Howard University. The format of the station is urban adult contemporary music. WHUR-FM broadcasts to the Washington D.C. area at 96.3 FM.
WIMX-FM Toledo, Ohio (United States)
WJBW-FM Florida (United States)
WJKX-FM Hattiesburg, Mississippi (United States)
WJMR-FM Milwaukee, Wisconsin (United States) WJMR-FM is a commercial station owned by Saga Communications. The format of the station is urban adult contemporary music. WJMR-FM broadcasts to the Milwaukee area at 98.3 FM.
WJMZ-FM Greenville, South Carolina (United States) WJMZ-FM is a commercial station owned by Cox Media Group, Inc. The format of the station is urban adult contemporary. WJMZ-FM broadcasts to the Greenville, SC area at 107.3 FM.
WKJS-FM Richmond, Virginia (United States)
WKSP-FM Augusta, Georgia (United States)
WKUS-FM Norfolk, Virginia (United States)
WKXI-FM Ridgeland, Mississippi (United States)
WKZJ-FM Columbus, Georgia (United States)
WLVH-FM Savannah, Georgia (United States)
WLXC-FM Cayce, South Carolina (United States)
WMGL-FM North Charleston, South Carolina (United States)
WMJM-FM Louisville, Kentucky (United States)
WMMJ-FM Lanham, Maryland (United States) WMMJ-FM is a commercial station owned by Radio One Inc. The format of the station is urban adult contemporary. WMMJ-FM broadcasts to the Washington, D.C. area at 102.3 FM.
WMPZ-FM Chattanooga, Tennessee (United States)
WMRZ-FM Albany, Georgia (United States)
WMXD-FM Detroit, Michigan (United States) WMXD-FM is a commercial station owned by Clear Channel Communications. The format of the station is urban adult contemporary. WMXD-FM broadcasts to the Detroit area at 92.3 FM.
WMXU-FM Columbus, Mississippi (United States)
WNEW-FM West Palm Beach, Florida (United States) WNEW-FM is a commercial station owned by CBS Radio. The format of the station is urban adult contemporary. WNEW-FM broadcasts to the West Palm Beach, FL area at 106.3 FM.
WPHR-FM Syracuse, New York (United States) WPHR-FM is a commercial station owned by Clear Channel Communications. The station’s format is conservative talk. WPHR-FM broadcasts to the greater Fort Pierce, FL area at 94.7 FM and is based out of its West Palm Beach, FL offices.
WPRW-FM Augusta, Georgia (United States)
WQMG-FM Greensboro, North Carolina (United States)
WQNC-FM Charlotte, North Carolina (United States) WQNC-FM is a commercial station owned by Radio One Inc. The format of the station is talk and R&B oldies. WQNC-FM broadcasts to the Charlotte, NC area at 92.7 FM.
WQQK-FM Nashville, Tennessee (United States) WQQK-FM is a commercial station owned by Cumulus Media Inc. The format of the station is urban adult contemporary music. WQQK-FM broadcasts to the Nashville, TN area at 92.1 FM.
WQSL-FM New Bern, North Carolina (United States)
WQVE-FM New York (United States)
WRBV-FM Georgia (United States)
WRNB-FM Conshohocken, Pennsylvania (United States) WRNB-FM is a commercial station owned by Radio One Inc. The format of the station is urban adult contemporary. WRNB-FM broadcasts to the Philadelphia area at 107.9 FM.
WROU-FM Dayton, Ohio (United States)
WRRX-FM Pensacola, Florida (United States)
WSBY-FM Salisbury, Maryland (United States)
WSOL-FM Jacksonville, Florida (United States)
WSRB-FM Hammond, Indiana (United States) WSRB-FM is a commercial station owned by Crawford Broadcasting Co. The format of the station is urban contemporary and R&B. WSRB-FM broadcasts to the Chicago area at 106.3 FM.
WTLC-FM Indianapolis, Indiana (United States) WTLC-FM is a commercial station owned by Radio One Inc. The format of the station is urban adult contemporary music. WTLC-FM broadcasts to the Indianapolis area at 106.7 FM.
WTLZ-FM Saginaw, Michigan (United States)
WTUG-FM Tuscaloosa, Alabama (United States) WTUG-FM is a commercial station owned by Citadel Broadcasting Corporation. The format of the station is urban adult contemporary music. WTUG-FM broadcasts to the Tuscaloosa, AL area at 92.9 FM.
WTYB-FM Savannah, Georgia (United States)
WUHT-FM Birmingham, Alabama (United States) WUHT-FM is a commercial station owned by Citadel Broadcasting Corporation. The format of the station is urban adult contemporary music. WUHT-FM broadcasts to the Birmingham, AL area at 107.7 FM.
WUKS-FM Fayetteville, North Carolina (United States) WUKS-FM is a commercial station owned by Beasley Broadcast Group. The format of the station is urban adult contemporary music. WUKS-FM broadcasts to the Fayetteville, NC area at 107.7 FM.
WVAZ-FM Chicago, Florida (United States) WVAZ-FM is a commercial station owned by Clear Channel Communications. The format of the station is urban adult contemporary. WVAZ-FM broadcasts to the Chicago area at 102.7 FM.
WVBE-FM Roanoke, Virginia (United States)
WVKL-FM Virginia Beach, Virginia (United States)
WWDM-FM Columbia, South Carolina (United States)
WWIN-FM Baltimore, Maryland (United States) WWIN-FM is a commercial station owned by Radio One Inc. The format of the station is urban adult contemporary music. WWIN-FM broadcasts to the Baltimore area at 95.9 FM.
WWMG-FM Montgomery, Alabama (United States)
WXMG-FM Columbus, Ohio (United States) WXMG-FM is a commercial station owned by Radio One Inc. The format of the station is urban adult contemporary. WXMG-FM broadcasts to the Columbus, OH area at 98.9 FM.
WXST-FM Charleston, South Carolina (United States)
WYLD-FM New Orleans, Louisiana (United States)
WZAK-FM Cleveland, Ohio (United States) WZAK-FM is a commercial station owned by Radio One Inc. The format of the station is urban adult contemporary. WZAK-FM broadcasts to the Cleveland area at 93.1 FM.
ZAPOLEON MEDIA Katy, Texas (United States)
THIS IS WHERE YOUR MUSIC will BE viewed and reviewed –

Video Packages

Canada’s #1 national music video network

Hip Hop TV networks 90% VIDEO / 10% RADIO… The best underground video shows and websites.

Radio (primary source for exclusive charts of non-commercial (ex: SiriusXM) and college RADIO AIRPLAY)

(YOUR VIDEO SUBMISSION HAS TO BE SELECTED TO BE ON TV BY THE NETWORK…so send your best)

We submit…. We don’t select who gets play

TV / CABLE NETWORK for your video… Video Direct Delivery to network executives… Yes!!! we send your video to MTV / Viacom, BET, CMT executives for review to air. (again these are the decision makers picking who shall air and who shall not) We send videos to other networks such as: BET, Music Choice, CTV – MuchMusic, Fuse, VH1, TCN, CMT, Keep it movin/Uptown videos NYC, etc…
SELL YOU MUSIC ONLINE – iPhone – CD @ The same Time

GET ON VEVO.COM / GET ON STAGE!!

WE don’t change the inde / WE just make you better

shantelcelebrity2

LOGOSHANTELSpreaker

heartswellng

Major contracted publishing turn in reports to bmi support artist shantel hobson/shantelheart/sonya
Google Play
iTunes
eMusic
AmazonMP3
rhapsody
spreaker podcast the shantelheart show

https://plus.google.com/103707210447594500223/posts?hl=en

©2014 Privacy Policy

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ATTN NOT COPYRIGHT NOT AD
not a promo but searching style type female MC’S & SINGERS ,POETS,SONGWRITERS

TALENT SELECTED ROSTER
PASSPORT

WHO S DAT BANNER ?

shantel d hobson

miss sonia

UNDERGROUND CYPHER MIC BATTLE : AKA MISS SONIA ORIGINAL CEO FOUNDER NOW AT THE SHANTELHEART SHOW STILL MINORITY ENTREPRENEUR

AKA MILTOWN PRINCESS TO QUEEN RADIO HOST MISS SONIA WMSE COLLEGE STATION
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21 thoughts on “WS LEGACYONE (MUSIC Sub-Publishing )

  1. LEGAL NOTICE:
    The Publisher has strived to be as accurate and complete as possible in the creation
    of this product, notwithstanding the fact that they do not warrant or represent at any
    time that the contents within is accurate due to the rapidly changing nature of the
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    While all attempts have been made to verify information provided in this publication,
    the Publisher assumes no responsibility for errors, omissions, or contrary
    interpretation of the subject matter herein.
    There are no guarantees of income to be made by using this product. Users are
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    accordingly. This product is not intended for use as a source of legal, business,
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    competent professionals in legal, business, accounting, and finance field. By using
    this product you agree to have read and understand the above legal notice.
    Enjoy the record label business plan, and good luck in your music ventures

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  2. MILWAUKEE WI SWEETHEART PRINCESS:MILWAUKEE WI JOURNALIST RETRACKING HOME~STEPS. iN OFFICE & SEARCHING TALENT ,@ NO UNSOLICITED MATERIAL THX SUBMIT THROUGH SONICBID,MUSICXRAY Weekend Guide: Milwaukee Journal Sentinel
    An entertainment newsletter from writers and critics of The Milwaukee Journal Sentinel. Subscribe at jsonline.com/newsletters.
    Media/News/Publishing: 1,507 like this

    milwaukee grind

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  3. General Royalty Information
    Royalty policies are complicated. Choose between two versions of this page.

    basic
    Registering Your Songs
    Most songs or other musical works are registered by sending us a song registration form. You can send them by snail mail or you can do it online. We can’t pay you unless you join and your songs are registered with us. Make sure you’ve signed up with BMI before your songs are performed and that they’re registered promptly. Late registrations can lead to delayed or lost payments. If your song has more than one writer or publisher, only one of you needs to send in a registration as long as the submitter tells us all the writer and publisher shares. Film and TV composers, you don’t have to separately register film and TV cues, as we receive cue sheets from the producers. However, you can email us cue sheets at cuesheets@bmi.com.

    Samples, Medleys and Parodies
    We’ll register musical works that “sample” other songs as long as everybody who has a piece of the action agrees to their writer or publisher share in the new work. However, these shares can’t add up to more than 100% for the writer’s share or 100% for the publisher’s share. Our standard rates for a song will then apply to the song with the samples. If you’re registering a medley of two or more songs, the same rules apply: Tell us the percentages each writer and publisher get paid and make sure your arithmetic is correct.

    If you’re registering a parody (like when your song uses part of another tune to make fun of that tune), permission from the publisher(s) of your target tune is usually needed before you can make money off of your parody. BMI will credit your parody based upon the shares authorized by the publisher of the tune you parody.

    Assignment of Works
    Publishers may assign a musical work to another BMI publisher so long as the publisher making the transfer doesn’t owe us money, data or anything else. And, any transfer of musical works from one BMI publisher to another because of a sale or merger will be subject to the terms and conditions of the contract of the transferring publisher.

    Withdrawal of Works
    Any publisher who wants to withdraw any of its songs or other musical works from BMI can do so only within a specific window prior to the end of the current term of its BMI publisher agreement. We’ll honor any timely withdrawal notice, provided the sending publisher doesn’t owe us money, data or anything else. And, BMI will continue to license the shares of any non-withdrawing writers and publishers of that musical work.

    Instrumental and Lyric Versions of the Same Work
    We can’t tell the difference between instrumental and lyric versions of a musical work unless the versions have different titles. So, if a lyricist is authorized to write words to an instrumental work that’s already been registered, the new lyric version has to have a different title in order for BMI to pay the writer and publisher shares for instrumental-only performances to the writers and publishers of the music and to pay the writer and publisher shares for both the music and lyrics for performances of the lyric version. If the instrumental and lyric versions have the same title, we’ll pay on the shares for the lyric version unless we receive an agreement from all participants on how you want us to pay.

    How Royalties Are Divided
    Every work registered with us has a writer’s share and a publisher’s share. All of the writers’ shares must add up to 100% and all the publishers’ shares also have to add up to 100%. Yes, that’s right: the shares in every BMI work add up to 200%!

    So here are the rules for dividing up the 200% royalty:

    The publishers’ shares can’t be more than 100%.
    If there’s an agreement between the writers and publishers where the writers also get a piece of the publisher’s share, the total shares for the work still can’t be more than 200%
    Where some or all of the publishers’ share hasn’t been assigned, the writers without publishers will also receive the corresponding portion of the publisher’s share.
    If any shares change after the initial registration (like a new publisher gets involved), BMI will credit the new publisher with its share only for performances that happen after we’re told to make the change.
    (Example: John and Mary wrote “Their Song” together. John signed a songwriter agreement with Music Publisher. Mary did not. When the work is registered with BMI, John will list his writer share as 50%, Mary will list her writer share as 100% (50% for her co-writer interest and 50% for her unassigned publisher interest) and Music Publisher will list its publisher share as 50% (for the publisher’s interest it obtained from John). If Mary later assigns her publisher interest to the same Music Publisher, Mary will notify BMI, her writer share will be reduced to 50% and Music Publisher will be paid 100% effective in the quarter that BMI received Mary’s notice.)

    Arrangements of Public Domain Works
    We pay 20% of the standard rate for songs for any copyrighted arrangements of Public Domain (PD) works, except for live classical performances, where no payment is made for these arrangements.

    Payment for Uses in Unmonitored Areas
    BMI collects license fees from many categories of music users, including hotels, nightclubs, restaurants and stores. Creating individual categories for these “general licensing” uses can be impractical and sometimes we don’t get sufficient data to make a proper distribution. So we sometimes use the fees we collect from “general licensing” venues to increase the royalties we pay out in categories where we do have precise data, like radio and TV.

    Non-payment Sources
    No payment is currently made for these performances:

    Cue, bridge or background music on radio
    Station IDs or public service announcements in any medium
    Promotional announcements on radio or on local broadcast, cable or satellite TV, except as spelled out below
    That said, we may start making payments for these categories in the future.

    Royalty Payments/Direct Deposit
    BMI encourages its members to sign up for direct deposit of their royalties. If an affiliate has enrolled for direct deposit, quarterly royalties of less than $2.00 will be accumulated and transferred to the specified bank account once the total reaches $2.00. No deposit will be made if the total amount of royalties earned from all sources in any calendar year is less than $2.00.

    If you choose to receive your royalties through the mail and the total amount of royalties earned from all sources in any quarterly distribution is less than $250.00, BMI will hold the amount earned in your account until subsequent quarterly earnings in that year bring the total to $250.00 or more, when the accumulated money will be paid. However, in no event will BMI hold any such accumulated royalties beyond the final distribution of the calendar year in which they otherwise would have been paid, provided that the royalties that have accumulated equal at least $25.00. Due to the cost of distributing negligible royalties, if the total amount of royalties earned from all sources in any calendar year is less than $25.00 and you have not enrolled in direct deposit, no payment will be made and no royalty statement will be rendered.

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